paperback  350 pages | 103 color plates | 5 3/4 x 8 1/4 | © 2023Punk Art History examines punk as an art movement, combining archival research, interviews, and art historical analysis. Marie Arleth Skov draws on personal interviews with punk art figures from London, New York, Amsterdam, Copenhagen, and Berlin, including Die Tödliche Doris (The Deadly Doris), members of Værkstedet Værst (The Workshop Called Worst), Nina Sten-Knudsen, Marc Miller, Diana Ozon, and Hugo Kaagman. The book also features email correspondence with Jon Savage, Anna Banana, and Genesis Breyer P-Orridge. Many of these artists shared materials from their private archives with Skov, who examines a wide range of media: paintings, drawings, bricolages, collages, booklets, posters, zines, installations, sculptures, Super 8 mm films, documentation of performances and happenings, body art, and street art. She also discusses scandalous and spectacular public events like the Prostitution exhibition at the Institute of Contemporary Arts in London, which spurred walkouts and political debate with its graphic content, and Die Große Untergangsshow (The Grand Downfall Show) in West Berlin, a festival of “ingenious dilettantes.” Skov’s analysis reveals that punks saw themselves as the “rear-guards,” a rejection of the notion of progress inherent to the term “avant-garde.” After all, why would a “no future” movement want to lead the way for a culture they saw as doomed?

LISA BARG (Montreal, QC) is Associate Professor of Music History and Musicology at the Schulich School of Music at McGill University and Associate Dean of Graduate Studies. She is currently serving as Co-editor-In-Chief of Women and Music: A Journal of Gender and Culture. paperback  288 Pages, 6.00 x 9.00 in, 17 b&w; photos, 14 figuresQueer Arrangements is a new study of Billy Strayhorn that examines his music and career at the intersection of jazz and Black queer history The legacy of Black queer composer, arranger, and pianist Billy Strayhorn (1915–1967) hovers at the edge of canonical jazz narratives. Queer Arrangements explores the ways in which Strayhorn's identity as an openly gay Black jazz musician shaped his career, including the creative roles he could assume and the dynamics between himself and his collaborators, most famously Duke Ellington, but also iconic singers such as Lena Horne and Ella Fitzgerald. This new portrait of Strayhorn combines critical, historically-situated close readings of selected recordings, scores, and performances with biography and cultural theory to pursue alternative interpretive jazz possibilities, Black queer historical routes, and sounds. By looking at jazz history through the instrument(s) of Strayhorn's queer arrangements, this book sheds new light on his music and on jazz collaboration at midcentury.

'If you want to know the real Baldwin, this is the book to read' Robin D.G. Kelley, author of Thelonious MonkJames Baldwin is an icon of liberation who created some of the most important literary works of his time, including the novels Go Tell It on the Mountain and If Beale Street Could Talk. Here, Bill V. Mullen celebrates the life of the great African-American writer and activist. As a lifelong anti-imperialist, black queer advocate, and feminist, James Baldwin was a passionate chronicler of the rise of the Civil Rights Movement, the US war against Vietnam, the Palestinian liberation struggle, and the rise of LGBTQ+ rights. Mullen pays homage to Baldwin's truly radical approach to his life, writing and activism. Constantly in struggle for an anti-racist, emancipated world, Baldwin's philosophy and politics were ahead of their time, predicting many of today's movements such as Black Lives Matter.

Loughridge expertly traces this debate from the 1737 invention of what became the first musical android to the creation of a “sound wave instrument” by a British electronic music composer in the 1960s, and the chopped and pitched vocals produced by sampling singers’ voices in modern pop music. From music-generating computer programs to older musical instruments and music notation, Sounding Human shows how machines have always actively shaped the act of music composition. In doing so, Loughridge reveals how musical artifacts have been—or can be—used to help explain and contest what it is to be human. Publisher: The University of Chicago PressISBN: 9780226830094Number of pages: 248Weight: 426 gDimensions: 229 x 152 x 20 mmAn expansive analysis of the relationship between human and machine in music. From the mid-eighteenth century on, there was a logic at work in musical discourse and practice: human or machine. That discourse defined a boundary of absolute difference between human and machine, with a recurrent practice of parsing “human” musicality from its “merely mechanical” simulations. In Sounding Human, Deirdre Loughridge tests and traverses these boundaries, unmaking the “human or machine” logic and seeking out others, better characterized by conjunctions such as and or with. Sounding Human enters the debate on posthumanism and human-machine relationships in music, exploring how categories of human and machine have been continually renegotiated over the centuries.

“Grundy’s is an excessive and generous critical project. Many of his prose texts begin by looking at a minute formulation otherwise gone by unnoticed or unanswered, to spiral outwards into wide-ranging digressions, so as then to return to the minute textual detail – as a technique of demonstrating how wide-ranging and important that detail had been in the first place, not just to the text but to THE WORLD, in explosive compression.”—Lisa Jeschke A5, 220 pages, Black & white printing, Perfect bound, Softcover, 2022PRESENT CONTINUOUS is a collection of hybrid essays, written during the recent covid pandemic, moving between criticism and poetic prose, between visual and textual expressions of the present moment and a future that still has a past to resolve. From the initial announcement of the lockdown to Black Lives Matter protests to a “second wave” of restrictions and the issue of police violence, Grundy’s writing offers, in the words of Richard Owens, “a quality, a shade of incredible intelligence and intuitive imagining that cannot be reproduced”. "The world in art and poetry will begin with a world anew", commented the late musician and poet Henry Grimes. In these "expositions of harmony and theory", David Grundy strives to imagine that new world.

June 2023179 x 115 mm257 pagessofboundA Zine for Nobodies Without Organs is an experimental publication inspired by the writings of French philosopher Gilles Deleuze, as well as figures whose life or work can be said to exemplify aspects of Deleuze’s philosophy of life, including Antonin Artaud, Ezekiel Mphaphele’s Wanderers and Kathy Acker among others. Encompassing the fields of literature, philosophy, ethnography, archaeology, and the arts, the publication aims at a radical exploration (and exploitation) of word, image, and printed matter towards beauty, but also aesthetic and political freedom.

Pbk, 6 x 8 in. / 324 pgs / 83 color / 24 b&w.; December 2023The penultimate Blank Forms anthology presents new interviews with musicians Theo Parrish, Amelia Cuni, Akio Suzuki and more.   At the centerpiece of Blank Forms 09: Sound Signatures is a career-spanning, twenty-hour conversation conducted over four days between producer, remixer, and Detroit house music legend Theo Parrish and veteran music journalist Mike Rubin. They go deep on Parrish’s childhood in Chicago’s South Side, sculptural training, and collaborations with Moodymann, Rick Wilhite, and Omar S, and explore how the social movements of 2020 have reshaped his practice and dance music at large. This volume also includes an illustrated discussion between Dhrupad singer Amelia Cuni and sound artist/tuning theorist Marcus Pal, covering Cuni’s years studying voice and dance in India, her interpretations of John Cage, and collaborations with the likes of Terry Riley and Catherine Christer Hennix—accompanied by deeply researched essays from Cuni on Hindustani classical music and avant-garde performance. Finally, the collection features reminiscences from composer and performer Akio Suzuki and musician Aki Onda on Fluxus pioneer and Taj Mahal Travellers founder Takehisa Kosugi, with newly translated criticism from Kosugi.

sinusoidal run rhythm is generated by adding up in-phase cosine functions in whole number ratios. They are temporally and dynamically shifted in their maxima compared to corresponding notated rhythms and feature a physicality that is not present in discretely controlled rhythms. sinusoidal run rhythm thus conceives of rhythm as a wave and clearly stands out from the conventional rhythm theory of a European musical tradition. It opens up an inexhaustible variety of beguiling physical music. The volume depicts this aesthetic diversity in numerous illustrations of the sinusoidal run rhythms. On the one hand, it offers an opportunity to lose oneself in the formations of an extended concept of rhythm and to immerse oneself in the beauty of individual specimens – following the example of books for the identification of beetles or butterflies. On the other hand, the theory encourages us to unbound the borders between imagination and performance, score and interpretation, man and machine and search for applications in music-making, music analysis, psychoacoustics or philosophy. // Steffen Krebber is composer, sound artist and researcher. His work moves between computer music, instrumental and electroacoustic composition, sound art, research, language, epistemology, sociology and media art.

1st edition of 150.  Hardback Book containing over 300 photographs on 228 pages.‘Rain Time’ is an exhibition based on a large collection of photographs found at a flea market in London documenting the self-portraiture of one woman’s penchant for deep-sea submersion via the burgeoning world of rubber fetishism. The work embodies the spirit of the home hobbyist, willing to give her life to science in the ‘experimental diving tank’ otherwise understood as the stand-alone bath tub. Made between the late 1950s and early 1960s, the collection pre-dates the controversial (for post war conservative Britain) Atom-Age publications as well as Helen Henley's Enter with Trumpets, which scandalised a British Public unwilling to let go of its tired conservatism and dusty pearls. The collage works in the collection precede by at least 15 years what would become the cut n’ paste aesthetic of punk, devising and framing new identities culled from images in the daily papers, on the spectrum from Sophia Loren to Mrs Mills. 'Rain Time’ reveals a hitherto unseen world of exploratory erotic investigation taking place for personal satisfaction behind the net curtains of suburban Britain. It is so called for the catalogue of rubber wear accompanying the archive, one subsequently employed by Vivienne Westwood for her revolutionary Kings Road ‘Sex’ shop a decade later.

In 1986, guitarist Marlene Marder published a German-language diary documenting her time in Kleenex/LiLiPUT, Zurich’s first all-female punk band. Thrilling Living is proud to offer a lavishly illustrated English-language edition, featuring over 200 images, including fanzines, interviews, flyers, and photographs, and updated with a new introduction and afterword by editor Grace Ambrose and translator Jen Calleja in addition to the original foreword by Greil Marcus. This is the most extensive document of this influential group, unparalleled in its depth and candor. The book recounts touring, recording, and music business dealings, all from the perspective of Marder, the band’s guitarist. It is an important document of what it was like to participate in the burgeoning music industry, just as punk was taking off. Neither memoir nor scrapbook, but something defiantly in the middle, Kleenex/LiLiPUT is a compelling example of what it looks like to document one’s own life, and all the insights and messiness that entails. T This project is an interpretation, a translation, a republication, an attempt to expand and enhance Marlene’s unruly original. First released by Nachbar der Welt Verlag, the publishing imprint that preceded Edition Patrick Frey, Thrilling Living is proud to make this important story accessible in English for the first time. Published by Thrilling Living.

"We’re PARA and this is our para-sitic and para-temporal cohabitation with 20 Seconds Magazine: 20 PARA Seconds. We’re shifting this specific organism for its sixth issue with a dynamic approach towards publishing as a passage of transgression. With “Non-Present Tense” we want to detach this organism from linearity and progress, declaring this issue a vast disruption."   210 pages, Perfect bound, Softcover, 202320 Seconds Magazine is a biannual print magazine for experimental music and art. For its sixth issue, 20 Seconds collaborated with PARA – the non-entity organisation for sound. Shifting this specific organism for its sixth issue, PARA present a dynamic approach toward publishing as a passage of transgressions. With “Non-Present Tense”, the collaboration offers a detachment from linearity and progress, declaring this issue a vast disruption.

Author: Terry Fox Editor:Michael Glasmeier,Carsten Seiffarth,Kunstmuseum Bern,Terry Fox Association Designer:Prill Vieceli Cremers 192 pp. with 150 black-white and 32 colour illustrations thread-sewn softcover ISBN:9783959052047 Edition Number: 1 Width:19.5 cm Length:24 cm Language(s): Englis The retrospective Terry Fox: Elemental Gestures, which opened at the Berlin Academy of the Arts in 2015 before being shown in Mons, Wuppertal, and the Kunstmuseum Bern in 2017, clearly demonstrated Fox’s key role in the development of art since the 1970s. It not only revealed him as a pioneer of performance, video art, and sound installation but also presented his experimental exploration of language and space. A symposium held in conjunction with the Bern exhibition adopted a variety of approaches to reflect on the performances and installations of this European American based in Switzerland. This is the starting point for the publication in which scholars, artists, and close associates seek to define more precisely the often silent “situations” at work between object and word, sound and sculpture, labyrinth and experience, body and action.

As an industry insider and pioneering post-punk musician, Vivien Goldman’s perspective on music journalism is unusually well-rounded. In Revenge of the She-Punks, she probes four themes—identity, money, love, and protest—to explore what makes punk such a liberating art form for women. With her visceral style, Goldman blends interviews, history, and her personal experience as one of Britain’s first female music writers in a book that reads like a vivid documentary of a genre defined by dismantling boundaries. A discussion of the Patti Smith song “Free Money,” for example, opens with Goldman on a shopping spree with Smith. Tamar-Kali, whose name pays homage to a Hindu goddess, describes the influence of her Gullah ancestors on her music, while the late Poly Styrene's daughter reflects on why her Somali-Scots-Irish mother wrote the 1978 punk anthem “Identity,” with the refrain “Identity is the crisis you can't see.” Other strands feature artists from farther afield (including in Colombia and Indonesia) and genre-busting revolutionaries such as Grace Jones, who wasn't exclusively punk but clearly influenced the movement while absorbing its liberating audacity. From punk's Euro origins to its international reach, this is an exhilarating world tour.

80 pages10.5 x 14 inchesPaperbackMarch 2024ISBN: 9798987624982 Artists featured in The Fluxus Newspaper include: Ay-O, Carol Bergé, Joseph Beuys, Elaine Bloedow, George Brecht, Christo, Philip Corner, Walter De Maria, Willem de Ridder, Bern Erismann, Nye Ffarrabas [participating as Bici Forbes], Robert Filliou, Henry Flynt, Ken Friedman, Carolyn Krumm, Heinz Gappmayr, Eugen Gomringer, Raymond Hains, Dick Higgins, Geoffrey Hendricks, Jon Hendricks, Alice Hutchins, Tatsu Izumi, Ray Johnson, Joe Jones, Allan Kaprow, Milan Knížak, Alison Knowles, Arthur Köpcke, Takehisa Kosugi, Ruth Krauss, Philip Krumm,  György Ligeti, George Maciunas, Angus MacLise, Jackson Mac Low, Larry Miller, Peter Moore, Hans Nordenström, Yoko Ono, Nam June Paik, Benjamin Patterson, James Riddle, Dieter Roth, Takako Saito, Mieko Shiomi, Tomas Schmit, Daniel Spoerri, Christer Strömholm, Yasunao Tone, Stan VanDerBeek, Ben Vautier, Jacques Villeglé, Wolf Vostell, Yoshimasa Wada, Robert Watts, Emmett Williams, William S. Wilson, La Monte Young, Marian Zazeela.he Fluxus Newspaper collects all eleven newspapers published by the Fluxus art collective between January 1964 and March 1979. The newspapers were edited by an ever-changing team of artists known as the Fluxus Editorial Council for Fluxus and every issue, except the last two, was designed by Fluxus founder George Maciunas. Although published irregularly, the newspapers were used to promote Fluxus events and publications, especially the group’s famous multiples and Fluxkits, with advertising materials, order forms, and pricelists interspersed throughout. More than just a space for promotion and information, the Fluxus newspapers featured the work of over sixty artists as well as appropriated newspaper headlines, advertisements, articles, and comic strips that are indicative of the group’s anti-art sensibility and characteristic humor. Issues of the newspapers were originally designated as cc V TRE after the earlier, one-off publication V TRE, which artist George Brecht released on occasion of the Yam Festival (1963). The use of “cc” in these early issues indicated that the publication was a copy of Brecht’s original version. After the first two releases, the editors started to play with various other titles containing “V TRE,” producing issues titled cc Valise e ThReE, Vacuum TRapEzoid, and Vaseline sTREet, among others.

Walter Benjamin was one of the unclassifiable ones... whose work neither fits the existing order nor introduces a new genre.  Hannah ArendtWalter Benjamin was fascinated by the impact of new technology on culture, an interest that extended beyond his renowned critical essays. From 1927 to ’33, he wrote and presented something in the region of eighty broadcasts using the new medium of radio. Radio Benjamin gathers the surviving transcripts, which appear here for the first time in English. This eclectic collection demonstrates the range of Benjamin’s thinking and his enthusiasm for popular sensibilities. His celebrated “Enlightenment for Children” youth programs, his plays, readings, book reviews, and fiction reveal Benjamin in a creative, rather than critical, mode. They flesh out ideas elucidated in his essays, some of which are also represented here, where they cover topics as varied as getting a raise and the history of natural disasters, subjects chosen for broad appeal and examined with passion and acuity.Delightful and incisive, this is Walter Benjamin channeling his sophisticated thinking to a wide audience, allowing us to benefit from a new voice for one of the twentieth century’s most respected thinkers.

Hayes is a maestro of poetic forms and these poems sing with a musical dexterity that embraces vulnerability and ambiguity . . . So to Speak reads like an ambitious mixed-media project questioning the role of art in representing suffering . . . Soul-searching questions ripple through a series of electrifying American Sonnets about James Baldwin, Audre Lorde, Octavia E Butler, Aretha Franklin and Nina Simone, reimagining the works and voices of many black cultural icons.In So to Speak, the dazzling new collection by Terrance Hayes, the poet seeks to understand how we see ourselves now. He draws the reader into fabulous fables, American sonnets and do-it-yourself sestinas as he roves among the predicaments of the present and recent past, piecing together a new map of our times.   Here, a tree frog sings to overcome its fear of birds. Talking cats tell jokes in the Jim Crow South. Green beans bling in the mouth of Lil Wayne, and elegies for David Berman and George Floyd unfold amid the global pandemic. Here, too, Hayes contemplates fatherhood, history and longing, in urgent, personal poems of a remarkable openness and humanity.   Masterful, contemplative and massively alive, So to Speak shows one of contemporary poetry's great innovators at his muscular best. It is a treasure-trove of exploration, and an invitation to each of us to engage in the creativity that makes and remakes our world. It is, above all, the mature, restless work of a leading poetic voice.

130 x 190mm 36 pages Risograph printing, Saddle stitched, Card dustjacketEd. of 100, 2024Heavy footed, peeping you are shadow and stone dial both something given away reveals itself as an experiment into growth & the doughy apology of a reversal Prose poetry looking at sonic energies, technologies, emotions and the body. Attuned to atmospheres and spaces between each other as well as the nervy dissonance between everyday speech and compositions on the page. The writing was in part developed during a sound art residency at Q-02, Brussels, Belgium.Published byRebecca Wilcox

Contributions by Numa Hambursin, Álvaro Rodríguez Fominaya, Géraldine Gourbe, Carla Guardiola Bravo, Rahmouna Boutayeb, Vincent Honoré, Raquel Cecilia Mendieta.Published with This Side Up and MUSAC, León.   published in September 2023   bilingual edition (English / French) 22 x 28 cm (softcover) 216 pages (ill.)An in-depth exploration of the work and destiny of Ana Mendieta, with numerous illustrations and previously unpublished contributions. The monograph devoted the Cuban born, American artist Ana Mendieta at MO.CO. Panacée in 2023 brings together about one hundred works from over fifteen years of production (1968-1985). The exhibition explores in particular how the artist never ceased to reinvent herself, developing an original, ephemeral sculptural language, at times performative in act, nourished by her research into primitive myths and rock art. It focuses especially on revealing her relationship to the visible and the invisible, her way of rendering the unspeakable intelligible through the trace of the body, and how it relates to nature. It is not intended to be a retrospective show, but rather to celebrate the relevance of such political and vibrant contemporary work.Accompanying the exhibition, this richly illustrated publication is introduced by Numa Hambursin and Álvaro Rodríguez Fominaya, in addition to unpublished texts by Géraldine Gourbe, Carla Guardiola Bravo and Rahmouna Boutayeb, as well as an interview of Raquel Cecilia Mendieta with Vincent Honoré.   In a brief yet prolific career, the Cuban-born artist Ana Mendieta (1948-1985) created groundbreaking work in photography, film, video, drawing, sculpture, and site-specific installations. Amongst the major themes in her work are exile, displacement, and a return to the landscape, which remain profoundly relevant today. Her unique hybrid of form and documentation, works that she titled "siluetas," are fugitive and potent traces of the artist's inscription of her body in the landscape, often transformed by natural elements such as fire and water.